Top Record Labels That Pressed Punjabi Music in the 70s and 80s

these labels represent more than just record companies - they were cultural curators who shaped the soundtrack of a generation.

The 1970s and 1980s marked a golden era for Punjabi music, with vinyl records serving as the primary medium for preserving and distributing folk, bhangra, and devotional songs. Several record labels played pivotal roles in bringing Punjabi artists to mainstream audiences, each contributing distinct production styles and artist rosters. These labels not only shaped the sound of Punjabi music but also created physical artifacts that have become highly sought-after collector's items today.

HMV (His Master's Voice)

As India's most prestigious record company, HMV dominated Punjabi vinyl production through its flagship imprint. The label's distinctive "dog and gramophone" logo became synonymous with quality recordings.

Notable Contributions:

  • Produced the earliest vinyl records of Surinder Kaur and Asa Singh Mastana
  • Released Kuldeep Manak's seminal works including Pehla Pyar (1978)
  • Maintained superior pressing quality with heavyweight vinyl

Collector's Note: Early HMV pressings with "The Gramophone Co. Ltd." markings command premium prices. The label transitioned to thinner vinyl in the late 1980s, making 1970s pressings more desirable.

Saigal Records

This Chandigarh-based label specialized in raw, unfiltered Punjabi folk, capturing the essence of rural musical traditions.

Key Characteristics:

  • Focused on Patiala gharana vocalists like K. Deep
  • Used minimalist recording techniques with live dholak and tumbi
  • Distinctive yellow-and-black label design

Essential Releases:

  • Punjabi Lok Geet series featuring uncredited village musicians
  • Early Amar Singh Chamkila 7-inch singles

Polydor India

The German multinational's Indian subsidiary brought international production standards to Punjabi music during the bhangra revolution.

Innovations:

  • Introduced multi-track recording to Punjabi folk albums
  • Pressed records at their Dum Dum (Kolkata) facility
  • Partnered with UK distributors for diaspora markets

Landmark Pressings:

  • Gurdas Maan's Dil Da Mamla (1980) first edition
  • Rare promotional copies with alternate mixes

EMI Pakistan

While based in Lahore, this label's Punjabi output circulated widely in East Punjab through cross-border trade routes.

Unique Attributes:

  • Pressed qawwali and Sufi-inspired Punjabi ghazals
  • Featured artists like Tufail Niazi and Hamid Ali Bela
  • Used distinctive green label variants for folk releases

Collector's Alert: Pre-1971 pressings (before Bangladesh independence) are particularly scarce due to political disruptions in distribution.

Oriental Star Agencies

This Birmingham-based label became the heartbeat of UK bhangra, pressing vinyl specifically for diaspora communities.

Diaspora Focus:

  • Recorded NRI artists like Alaap and Heera
  • Blended traditional instruments with synthesizers
  • Packaged albums with bilingual liner notes

Notable Releases:

  • Teri Chunni De Sitare (1982) - among the first UK-made Punjabi LPs
  • Limited edition 12-inch remixes for club play

Super Cassettes Industries

Before becoming the T-Series giant, this Delhi label pressed noteworthy Punjabi vinyl under its "Super" imprint.

Production Traits:

  • Economical pressings targeting mass markets
  • Focused on devotional and film-related Punjabi music
  • Later pressings show quality decline as focus shifted to cassettes

Hidden Gems:

  • Early collaborations with Hans Raj Hans
  • Rare film soundtrack EPs

Golden Star

Operating from Jalandhar, this regional label captured the authentic sound of Doaba Punjab.

Regional Specialization:

  • Recorded wedding band musicians
  • Pressed limited-run lok geet collections
  • Used local pressing plants with variable quality

Collector's Challenge: Poor sleeve preservation makes mint-condition finds exceptionally rare.

Technical Comparison of Pressing Quality

Label

Vinyl Weight

Sleeve Quality

Rarity Scale

HMV

180g

Thick card

★★★★

Saigal

120g

Thin paper

★★★★★

Polydor

150g

Glossy

★★★

OSA

140g

Dual-language

★★

The Transition to Cassettes

By the mid-1980s, most labels abandoned vinyl for cassette production. This shift makes late-period Punjabi vinyl particularly collectible:

  • Final vinyl releases often have catalog number gaps
  • Test pressings from this era occasionally surface
  • Hybrid packaging combined vinyl with free cassettes

Legacy and Rediscovery

Today, these labels' outputs are being reassessed:

  • Audiophile reissues of classic albums
  • Sample sources for global DJs and producers
  • Academic interest in ethnomusicology studies

Original pressings now serve as primary sources for understanding Punjabi music's evolution from folk tradition to global phenomenon.

Their vinyl artifacts continue to spin stories of Punjab's musical heritage, one groove at a time.

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